The paintings shown here do prefer the provoking individual language. In its entirety you see that there is not only one binding aesthetic requirement how to grasp history. According to Thomas Lohmann it is important to break up and keep alive the structure of a frozen memory, stiffened more and more to stereotyped and ritualized ones. All what they have in common is the intention to preserve to the most possible the contradictory multitude of the different forms of memory as well as the possibility to take a customary and a trivial look at the particular significance due to history. Also revealing the dismay in the moment of being confronted with the absurd may create a profound change in understanding. Dealing this way he creates the requirements enabling to decode the fragments of the corresponding perception by means of the technical tools within the language of arts.
